![]() Some of the new material doesn’t quite land (he originally cut the “French plantation” sequence because it slowed the picture to a crawl, and its restoration here proves the accuracy of his early instincts), but that which does is glorious, lifting the film to its rightful perch as an heir to the likes of “Lawrence of Arabia” and “Ben-Hur.” Stream it here. Two decades later, he went back to his original footage, restoring 45 minutes of deleted shots and scenes. This 1979 Vietnam War epic from Francis Ford Coppola was a notoriously troubled production, and by the time it hit theaters, the director had been through so many trials and tribulations during its making that some questioned whether he could see the forest for the trees. The smart scripts mine the endless possibilities for comedy of class and manners, but the key to its longevity is its cast all manage to play the silliness of their characters without losing touch with their humanity, and their arcs into becoming (marginally!) better people are uncommonly poignant. The three play (alongside their comedy secret weapon Annie Murphy) the Rose family, an absurdly wealthy and comically out-of-touch brood who find themselves unexpectedly broke and stuck in the title town, which they purchased as a joke. The “SCTV” legends and Christopher Guest repertory company members Eugene Levy and Catherine O’Hara memorably re-teamed for this uproariously funny Canadian comedy series, which Levy created with his son Dan, who also stars. (Dates indicate the final day a title is available.) ‘Schitt’s Creek’: Seasons 1-6 (Oct. The streaming service will also bid a fond farewell to a handful of Gen-X favorites, an Oscar nominee or two, a couple of indie gems and a bold remix of one of the great movies of the 1970s. For Minhaj, the boundary is clear: “I’m only willing to take the joke as far as I possibly can until it hurts my family.Sound the alarms: One of the most beloved sitcoms in recent TV history is leaving Netflix in the United States in October - and early in the month, so get that last binge going with a quickness. He also tackles free speech in comedy, a highly debated topic given the controversy surrounding Dave Chappelle’s battle with the queer and trans communities over his last few stand-up specials and most recently, comedian Aries Spears’ comments about Lizzo’s weight. Minhaj brilliantly exposes the duality of wanting to do good and getting caught up in the hype, or as he coins it “cocaine clout.” ![]() He later gets a taste of his own medicine when his wife astutely observes that he has become addicted to the attention and validation he gets from social media. ![]() He recounts attending The Time 100 gala as an honoree due to the Saudi Arabia controversy, then calling out Jared Kushner on stage because of his friendship with the country’s crown prince. At the time, he shot back in a follow-up episode of Patriot Act: “Of all the Netflix originals, the only show that Saudi Arabia thinks violates Muslim values is the one hosted by a Muslim.”Īs laudable as statements like that might be, Minhaj acknowledges his own selfish motivations for fame. This is good material, but he really hits his stride when he addresses his motivations for attracting controversy.Ĭase in point: Netflix removed an episode of his series Patriot Act from its Saudi Arabian platform, because Minhaj’s criticism of the murder of journalist Jamal Khashoggi was said to break an anti-cybercrime law in the Middle East. If Homecoming King called out America and its baked-in bigotry, then The King’s Jester calls out Minhaj’s own search for social clout.Īfter opening with a story about his own ambivalence toward fatherhood and his struggle to conceive a child with his wife, Minhaj takes a deep dive into his past, examining how comedy has served as both a gift and curse. ![]() A gifted raconteur, Minhaj uses this special to weave a narrative that connects his rising popularity to his shortcomings as a father and a husband which he is brutally honest about.
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